"Yeah!"'s crunk-meets-R&B foundation, featuring an instantly addictive eight-note keyboard vamp and one of Usher's most muscular turns, is so absorbing that Ludacris' 1500th guest verse floats by with little notice. On the other side of the coin, the smartest move Usher makes here is in allowing the Lil Jon-produced "Yeah!" to take its rightful place as the only club track any attempt at doing something stylistically similar would've failed miserably in its presence.
At an hour in duration, it could be stripped of five songs and be far more powerful, especially since no one would have to do any wading to get to the meaty parts. Confessions' most detracting factor is its length.
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